Untitled (Studies for Performance Parallelogram (Rolling) (Performance Piece with Mirrors)), 1970
graphite and ink on paper, five drawings
framed in 4 sections:
1) 14 1/2 x 18 1/8 in (36.8 x 46 cm)
2) 25 1/2 x 31 1/2 in (64.8 x 80 cm)
3) 25 1/2 x 31 1/2 in (64.8 x 80 cm)
4) 25 1/2 x 31 1/2 in (64.8 x 80 cm)
These drawings are studies for Bruce Nauman’s Performance Parallelogram (Rolling) (Performance Piece with Mirrors) originally conceived to be built into a bay at the Solomon R. Guggenheim Museum, New York,...
These drawings are studies for Bruce Nauman’s Performance Parallelogram (Rolling) (Performance Piece with Mirrors) originally conceived to be built into a bay at the Solomon R. Guggenheim Museum, New York, for a 1971 exhibition. The piece was designed as a plywood platform with mirrored “headboards” at each end, one angled toward the center and the other leaning outward. Nauman intended the piece to be a stage for a performance (which was never executed) where one or two performers would roll toward and away from the mirrors, concentrating on a specific mental and physical exercise as they rolled, imagining themselves compressing around and expanding away from an imaginary center. For Nauman, drawing is equivalent to thinking. The notes in these drawings capture these details, offering insight into his thought process.