In the early 1970’s, Moynihan began making a series of still lifes comprised of tools of a painter’s trade haphazardly strewn on tables and shelves. Of these works the artist...
In the early 1970’s, Moynihan began making a series of still lifes comprised of tools of a painter’s trade haphazardly strewn on tables and shelves. Of these works the artist said: “It was especially important to me not to arrange the still life so as to form a pictorial grouping—a picture. I wanted the objects to be found…so that the dictionary words of describing an object disappear. I wanted to paint them because they looked like that—without my intervention—having arranged themselves like that in that particular light.”